 | In the 50s, a collective of intellectual French film critics, led by
André Bazin and Jacques Donial-Valcroze, formed the groundbreaking
journal of film criticism Cahiers du Cinema. They, in turn, had been
influenced by the writings of French film critic Alexandre Astruc, who
had argued for breaking away from the "tyranny of narrative" in favor
of a new form of film (and sound) language.
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